Our Story & Studio Philosophy

A Timeline Written in Light

From a Brooklyn basement to 4,800 sq ft of purpose-built creative space — this is how we got here.

🏠 2026: The Basement Years

It all started in a 400 sq ft Williamsburg basement with a single Elinchrom Octa, a roll of seamless paper, and a coffee maker that never stopped brewing. Elias Voss shot editorial spreads for *The Fader* and *Interview* by day, then rented the space to fellow photographers by night. The walls were thin, the floor was uneven, and the lighting was… creative. But it was ours. And it was where we learned that great work happens when you give artists the tools — and the trust — to create.

🏢 2026: The Greenpoint Loft

Our first real studio: 1,200 sq ft of raw, sun-drenched space with 14-foot ceilings and a wall of north-facing windows that made every shoot feel like magic. We added a Phase One XF IQ3 100MP camera, a Profoto Air Remote, and our first cyclorama — a 12-foot curved wall that became the signature of our portrait work. This is where we shot the 2026 Reformation campaign that went viral, landing us our first *Vogue* editorial and a client list that suddenly included names like Glossier and Everlane.

🔦 2026: The Gear Vault Expansion

We outgrew the loft — not just in space, but in ambition. So we built the Gear Vault: a climate-controlled room stocked with $250,000 of pro-grade equipment, from Broncolor Siros 800Ws to a full set of Schneider Kreuznach tilt-shift lenses. We also launched our first in-house production team, led by producer Mira Chen, who’d previously managed shoots for *W* and *i-D*. Suddenly, we weren’t just renting space — we were offering end-to-end production for brands that needed more than just a room.

🏭 2026: The Bushwick Flagship

The pandemic hit, and studios everywhere shut down. But we saw an opportunity: to build the space we’d always dreamed of. In 2026, we moved into our current home — a 4,800 sq ft industrial-chic studio in Bushwick, designed from the ground up for photographers. Three dedicated studios (Studio A: 1,200 sq ft with a 20-foot cyc; Studio B: 800 sq ft with a kitchen set; Studio C: 600 sq ft for portraits), a client lounge with a custom espresso bar, and a gear vault that now includes a Hasselblad H6D-400c and a full set of Kino Flo LED panels. We also launched our first in-house retouching team, led by former *Time* photo editor Daniel Park.

📸 2026: 3,200+ Shoots and Counting

Today, timbergroveview is more than a studio — it’s a creative hub where photographers, brands, and artists come to make work that matters. We’ve shot 3,200+ projects, from the *New York Times*’s 2026 “52 Places” cover to a 2026 Netflix campaign that won a Clio. We’ve hosted workshops with Annie Leibovitz and Platon, partnered with brands like Apple and Sony, and built a team of 12 specialists who’ve worked on everything from *National Geographic* covers to Supreme lookbooks. And we’re still just getting started.

🚀 2026: The Future is Bright

This year, we’re launching timbergroveview Productions — a full-service production company for brands that need more than just a shoot. We’re also expanding our gear vault to include a RED Komodo 6K cinema camera and a full set of ARRI Orbiter LED lights. And we’re doubling down on our mission: to create a space where creativity isn’t just supported — it’s celebrated. Whether you’re a solo photographer shooting your first campaign or a global brand producing a Super Bowl spot, we’re here to make sure your work looks — and feels — like nothing else.

The Faces Behind the Frames

Twelve specialists. One shared obsession: making your shoot unforgettable.

Our team isn’t just a group of photographers and producers — we’re a collective of artists, technicians, and problem-solvers who’ve worked on everything from *Vogue* covers to Super Bowl campaigns. We’ve lit models in Milan, shot products in Tokyo, and produced documentaries in Nairobi. But what unites us isn’t just our experience — it’s our approach. We believe that great work happens when you combine technical precision with creative instinct, and we’ve built a team that embodies that philosophy. Meet the people who’ll make your shoot not just successful, but magical.

📷 Elias Voss — Founder & Lead Photographer

Elias started his career shooting editorial spreads for *The Fader* and *Interview* in the early 2026s, where he developed a signature style that blends the rawness of street photography with the polish of commercial work. He’s since shot campaigns for Nike, Apple, and Netflix, and his personal work has been exhibited at Foam Fotografiemuseum in Amsterdam. When he’s not behind the camera, you’ll find him tinkering with vintage Hasselblads in the Gear Vault or brewing espresso for clients in the lounge. His philosophy? ‘Light is a language. Learn to speak it fluently.’

🎬 Mira Chen — Head of Production

Mira cut her teeth producing shoots for *W* and *i-D* in the late 2000s, where she learned how to manage everything from last-minute location changes to temperamental supermodels. She joined timbergroveview in 2026 and has since overseen 800+ shoots, including a 2026 Netflix campaign that won a Clio. Her superpower? Turning chaos into creativity. ‘I don’t believe in problems,’ she says. ‘Only opportunities to make the work even better.’ When she’s not on set, she’s mentoring the next generation of producers through our in-house training program.

🖥️ Daniel Park — Head of Retouching

Daniel spent a decade as a photo editor at *Time*, where he worked on covers featuring everyone from Barack Obama to Beyoncé. He joined timbergroveview in 2026 to build our in-house retouching team, which now handles everything from high-end beauty retouching to complex compositing for brands like Glossier and Supreme. His work is defined by its subtlety — ‘The best retouching,’ he says, ‘is the kind you don’t notice.’ When he’s not at his workstation, you’ll find him teaching masterclasses on Capture One or perfecting his sourdough recipe in the studio kitchen.

💡 Aisha Okoro — Studio Manager & Lighting Specialist

Aisha’s obsession with light started when she was a teenager, experimenting with DIY reflectors and clamp lights in her parents’ garage. She joined timbergroveview in 2026 after working as a gaffer on sets for *Vogue* and *GQ*, and now oversees all lighting setups in our studios. She’s the reason our cyclorama looks like a seamless infinity, and why our product shots have that signature ‘floating in space’ effect. ‘Light isn’t just about brightness,’ she says. ‘It’s about emotion.’ When she’s not on set, she’s leading workshops on advanced lighting techniques or tinkering with our custom-built LED panels.

🎥 Javier Morales — Gear Technician & Camera Specialist

Javier is the quiet genius behind our Gear Vault. A former camera technician for ARRI and RED, he joined timbergroveview in 2026 to build and maintain our collection of pro-grade equipment. He’s the one who ensures our Phase One XF IQ3 100MP is always calibrated, our Profoto D2s are firing at the perfect sync speed, and our RED Komodo 6K is ready for cinema work. ‘A camera is only as good as the person who maintains it,’ he says. When he’s not in the Gear Vault, you’ll find him teaching workshops on camera tech or restoring vintage Leicas in his workshop.

☕ Nadia Patel — Client Experience Director

Nadia is the first face you’ll see when you walk into timbergroveview — and the reason you’ll feel at home from the moment you arrive. A former hospitality manager at the Ace Hotel, she joined our team in 2026 to redefine what client experience means in a studio. She’s the one who remembers your coffee order, anticipates your needs before you do, and ensures every shoot runs smoother than a freshly sanded cyclorama. ‘Great work happens when people feel taken care of,’ she says. When she’s not in the studio, she’s volunteering at local art nonprofits or perfecting her chai latte recipe in our kitchen.

💻 Marcus Lee — Digital Tech & Workflow Specialist

Marcus is the wizard behind our digital workflow. A former digital tech for *National Geographic*, he joined timbergroveview in 2026 to build a system that ensures every file — from a 100MP RAW to a 6K cinema clip — is backed up, color-graded, and delivered on time. He’s the reason our clients never lose a shot, and why our retouching team always has the files they need. ‘Technology should make your life easier, not harder,’ he says. When he’s not at his workstation, you’ll find him teaching workshops on digital asset management or tinkering with our custom-built NAS system.

🛋️ Sophie Durand — In-House Stylist & Prop Master

Sophie is the reason our still-life shots look so effortlessly perfect. A former prop stylist for *Bon Appétit* and *Saveur*, she joined timbergroveview in 2026 to build our in-house prop library — a 1,200 sq ft warehouse stocked with everything from vintage glassware to custom-built furniture. She’s the one who sources the perfect linen napkin for a food shoot or the exact shade of Pantone 18-1750 for a brand campaign. ‘Styling isn’t about making things look pretty,’ she says. ‘It’s about telling a story.’ When she’s not on set, she’s scouring flea markets for hidden gems or teaching workshops on prop styling.

The Gear Vault

Over $250,000 of pro-grade equipment, meticulously maintained and ready for your shoot.

Our Gear Vault isn’t just a collection of cameras and lights — it’s a carefully curated arsenal of tools designed to bring your vision to life. We’ve spent over a decade investing in the best equipment money can buy, from Phase One medium-format cameras to Broncolor strobes, and we maintain it all with the same obsessive care we bring to every shoot. Whether you’re shooting a high-end beauty campaign or a documentary-style portrait, our gear is here to ensure your work looks — and feels — like nothing else. Here’s a peek at what’s in our vault.

📸 Phase One XF IQ3 100MP

The gold standard of medium-format photography, this 100MP beast delivers razor-sharp detail, unparalleled dynamic range, and a color depth that makes every skin tone look luminous. We use it for everything from high-end beauty campaigns to large-format prints, and it’s the reason our product shots have that signature ‘you can almost touch it’ clarity. Paired with a Schneider Kreuznach 80mm f/2.8 LS lens, it’s the ultimate tool for work that demands perfection.

🔍 Hasselblad H6D-400c

When 100MP isn’t enough, we turn to the H6D-400c — a 400MP monster that captures detail so fine you can see the individual threads in a fabric or the pores in a model’s skin. We use it for large-format prints, archival work, and any project where resolution is non-negotiable. Paired with a Hasselblad HC 120mm f/4 macro lens, it’s the camera we reach for when we need to future-proof our work.

🎥 RED Komodo 6K Cinema Camera

For motion work, we turn to the RED Komodo — a compact, 6K cinema camera that delivers the same image quality as its bigger siblings in a body small enough to mount on a drone or gimbal. We use it for everything from commercial spots to documentary films, and it’s the reason our motion work has that signature ‘cinematic’ look. Paired with a set of Zeiss Supreme Prime lenses, it’s the ultimate tool for storytelling that moves.

⚡ Profoto D2 1000Ws AirTTL Monolights (x6)

These are the workhorses of our lighting setup — six 1000Ws monolights that deliver consistent, flicker-free light at up to 20 flashes per second. We use them for everything from high-speed sync portraits to fast-paced commercial shoots, and they’re the reason our lighting looks so crisp and controlled. Paired with a set of Profoto OCF modifiers, they’re the ultimate tool for photographers who demand precision.

💡 Broncolor Siros 800Ws L (x4)

When we need power and portability, we turn to the Broncolor Siros — four 800Ws monolights that deliver the same light quality as their bigger siblings in a compact, battery-powered package. We use them for location shoots, outdoor portraits, and any project where we need to travel light without sacrificing quality. Paired with a set of Broncolor Para modifiers, they’re the ultimate tool for photographers who need to work fast and light.

🌟 ARRI Orbiter LED Lights (x4)

For continuous lighting, we turn to the ARRI Orbiter — a set of four LED panels that deliver flicker-free, color-accurate light at up to 800W. We use them for video shoots, interviews, and any project where we need to see the light before we shoot. Paired with a set of ARRI SkyPanel modifiers, they’re the ultimate tool for cinematographers who demand control.

🌈 Kino Flo Celeb 450 LED (x2)

These are the secret weapon behind our soft, flattering light. Two Kino Flo Celeb 450 LEDs deliver a broad, even light that’s perfect for beauty work, interviews, and any project where we need to make our subjects look their best. We use them for everything from high-end portraiture to documentary films, and they’re the reason our skin tones look so natural and luminous.

🏛️ Schneider Kreuznach Tilt-Shift Lenses (x3)

For architectural work, product shots, and any project where we need to control perspective, we turn to our set of Schneider Kreuznach tilt-shift lenses. These manual-focus beasts allow us to shift the plane of focus, correct converging lines, and create that signature ‘miniature’ effect. We use them for everything from real estate photography to high-end product shots, and they’re the reason our architectural work looks so precise and controlled.

Our Philosophy: Light as Language

We don’t just rent space. We create environments where stories come to life.

At timbergroveview, we believe that photography isn’t just about capturing images — it’s about telling stories. And the best stories are the ones that feel real, raw, and alive. That’s why we’ve built a studio that’s more than just a space with good light. It’s a creative ecosystem designed to inspire, support, and elevate every shoot that passes through our doors. From our gear to our team to our very walls, everything here is built with one purpose: to help you create work that matters.

🏗️ Space as a Creative Partner

Our studios aren’t just rooms — they’re tools. Studio A’s 20-foot cyclorama isn’t just a wall; it’s a blank canvas that lets you create any world you can imagine. Studio B’s kitchen set isn’t just a prop; it’s a space where food photographers can cook, style, and shoot without ever leaving the studio. And Studio C’s portrait setup isn’t just a backdrop; it’s a carefully designed environment that makes every subject feel like the star of their own story. We’ve spent years refining every inch of our space to ensure it works *with* you, not against you.

🔧 Gear as an Extension of Vision

We don’t believe in one-size-fits-all solutions. That’s why our Gear Vault is stocked with everything from a 100MP medium-format camera to a 6K cinema rig — so you can choose the right tool for your vision, not the other way around. Our lighting setup isn’t just a collection of strobes; it’s a carefully curated system that lets you sculpt light with precision, whether you’re shooting a high-end beauty campaign or a documentary-style portrait. And our modifiers aren’t just accessories; they’re the difference between a good shot and a great one.

🤝 Team as Collaborators

Our team isn’t here to just hand you a camera and walk away. We’re here to collaborate, to problem-solve, and to push your work further than you thought possible. Whether it’s Aisha fine-tuning the lighting for your portrait shoot, Daniel retouching your images to perfection, or Mira producing your entire campaign from start to finish, we’re here to make sure your shoot isn’t just successful — it’s magical. We believe that the best work happens when you combine technical precision with creative instinct, and we’ve built a team that embodies that philosophy.

🔄 Process as a Creative Catalyst

We don’t believe in leaving creativity to chance. That’s why we’ve developed a process that ensures every shoot — no matter how big or small — runs smoothly, efficiently, and creatively. From pre-production meetings where we refine your vision to on-set problem-solving that keeps things moving, our process is designed to remove the stress from your shoot so you can focus on what matters: creating great work. And with our in-house retouching and production teams, we can take your project from concept to completion without ever leaving the studio.

🌍 Community as a Creative Force

We’re not just a studio — we’re a hub for New York’s creative community. From workshops with Annie Leibovitz to portfolio reviews with *Vogue* editors, we’re constantly hosting events that bring photographers, brands, and artists together. We believe that creativity thrives when it’s shared, and we’ve built a space where ideas can collide, collaborate, and grow. Whether you’re a solo photographer shooting your first campaign or a global brand producing a Super Bowl spot, you’re part of our community — and we’re here to support you.

♻️ Sustainability as a Core Value

We believe that great work shouldn’t come at the expense of the planet. That’s why we’ve built sustainability into every aspect of our studio, from our energy-efficient LED lighting to our zero-waste prop library. We source our materials locally, recycle our sets, and offset our carbon footprint through partnerships with environmental nonprofits. And we’re always looking for new ways to reduce our impact, whether it’s switching to biodegradable packaging or investing in solar-powered gear. Because the best work isn’t just beautiful — it’s responsible.

The Brands That Trust Us

From indie startups to global giants, we’ve helped brands tell their stories for over a decade.

Over the past 12 years, we’ve had the privilege of working with some of the most innovative, creative, and inspiring brands in the world. From indie startups to global giants, we’ve helped them tell their stories through photography, video, and production. But what unites all our clients isn’t their size or their budget — it’s their commitment to great work. Whether we’re shooting a lookbook for a emerging designer or a Super Bowl campaign for a Fortune 500 brand, we bring the same level of care, precision, and creativity to every project. Here are just a few of the brands that trust us with their stories.

🏈 Nike — The ‘Dream Crazy’ Campaign

In 2026, we partnered with Nike to shoot the ‘Dream Crazy’ campaign, featuring Colin Kaepernick. Our team produced the entire shoot in Studio A, using a custom-built set that replicated a high school football field. We shot with a Phase One XF IQ3 100MP and a set of Profoto D2s, and our in-house retouching team handled the post-production. The campaign went on to win a Cannes Lion and a Clio, and it’s still one of the most talked-about ads of the decade.

💄 Glossier — The ‘Skin First, Makeup Second’ Ethos

Since 2026, we’ve been the go-to studio for Glossier’s product photography. We’ve shot everything from their cult-favorite Boy Brow to their limited-edition holiday sets, using a Hasselblad H6D-400c and a set of Kino Flo Celeb 450 LEDs to create that signature ‘clean, fresh, natural’ look. Our in-house stylist, Sophie, sources all the props, and our retouching team ensures every image is flawless. The result? Product shots that look so real, you can almost smell the rosewater.

🍿 Netflix — The ‘Stranger Things’ Season 3 Campaign

In 2026, we partnered with Netflix to shoot the campaign for *Stranger Things* Season 3. Our team produced the entire shoot in Studio B, using a custom-built set that replicated the show’s iconic Hawkins, Indiana, aesthetic. We shot with a RED Komodo 6K and a set of ARRI Orbiter LEDs, and our in-house production team handled everything from casting to location scouting. The campaign went on to win a Clio, and it’s still one of the most visually striking ads we’ve ever worked on.

👗 Reformation — The 2026 Lookbook That Went Viral

In 2026, we shot the lookbook for Reformation that put us on the map. Our team produced the entire shoot in our Greenpoint loft, using a Phase One XF IQ3 100MP and a set of Profoto D2s to create that signature ‘effortless, feminine, sustainable’ aesthetic. The lookbook went viral, landing us our first *Vogue* editorial and a client list that suddenly included names like Everlane and & Other Stories. It’s still one of our favorite projects to date.

📱 Apple — The ‘Shot on iPhone’ Series

In 2026, we partnered with Apple to shoot a series of images for their ‘Shot on iPhone’ campaign. Our team produced the entire shoot in Studio C, using a custom-built set that replicated a variety of real-world environments. We shot with an iPhone 12 Pro Max and a set of Kino Flo Celeb 450 LEDs, and our in-house retouching team ensured every image was flawless. The campaign went on to win a Webby, and it’s still one of the most visually stunning projects we’ve ever worked on.

👕 Supreme — The 2026 Spring/Summer Lookbook

In 2026, we shot the lookbook for Supreme’s Spring/Summer collection. Our team produced the entire shoot in Studio A, using a custom-built set that replicated the brand’s iconic streetwear aesthetic. We shot with a Hasselblad H6D-400c and a set of Broncolor Siros 800Ws, and our in-house stylist sourced all the props. The lookbook went on to become one of the most talked-about releases of the season, and it’s still one of our favorite projects to date.

🗞️ The New York Times — The 2026 ‘52 Places’ Cover

In 2026, we partnered with *The New York Times* to shoot the cover for their annual ‘52 Places’ issue. Our team produced the entire shoot in Studio B, using a custom-built set that replicated a variety of global environments. We shot with a Phase One XF IQ3 100MP and a set of Profoto D2s, and our in-house retouching team ensured the image was flawless. The cover went on to become one of the most iconic in the magazine’s history, and it’s still one of our proudest moments.

👖 Everlane — The ‘Radical Transparency’ Campaign

Since 2026, we’ve been the go-to studio for Everlane’s product photography. We’ve shot everything from their minimalist cashmere sweaters to their sustainable denim, using a Hasselblad H6D-400c and a set of Kino Flo Celeb 450 LEDs to create that signature ‘clean, modern, ethical’ look. Our in-house stylist sources all the props, and our retouching team ensures every image is flawless. The result? Product shots that look so real, you can almost feel the fabric.

By the Numbers

Twelve years. Three thousand two hundred shoots. Here’s what we’ve learned along the way.

Numbers don’t lie. Over the past 12 years, we’ve shot 3,200+ projects, worked with 800+ brands, and built a team of 12 specialists who’ve won everything from Clios to Webbys. But what these numbers really represent is a decade of learning, growing, and refining our craft. They’re the proof that our philosophy — that great work happens when you combine technical precision with creative instinct — isn’t just a tagline. It’s a way of life. Here’s a look at the numbers behind timbergroveview.

📊 3,200+ Projects

From editorial spreads to Super Bowl campaigns, we’ve shot over 3,200 projects in the past 12 years. That’s 3,200 stories told, 3,200 visions brought to life, and 3,200 moments captured in time. Each one taught us something new — about light, about collaboration, about the power of a single frame. And each one reinforced our belief that the best work happens when you combine technical precision with creative instinct.

🤝 800+ Brands

We’ve worked with over 800 brands, from indie startups to global giants. But what unites all our clients isn’t their size or their budget — it’s their commitment to great work. Whether we’re shooting a lookbook for an emerging designer or a Super Bowl campaign for a Fortune 500 brand, we bring the same level of care, precision, and creativity to every project. Because we believe that great work deserves great partners.

👥 12 Specialists

Our team of 12 specialists has worked on everything from *Vogue* covers to *National Geographic* documentaries. But what unites us isn’t just our experience — it’s our obsession with great work. Whether it’s Elias fine-tuning the lighting for a portrait shoot, Daniel retouching an image to perfection, or Mira producing an entire campaign from start to finish, we’re here to make sure your shoot isn’t just successful — it’s magical.

💰 $250,000+ in Gear

Our Gear Vault is stocked with over $250,000 of pro-grade equipment, from Phase One medium-format cameras to Broncolor strobes. But what really matters isn’t the price tag — it’s the care we put into maintaining it. Javier, our gear technician, ensures every piece of equipment is calibrated, cleaned, and ready for your shoot. Because we believe that great work deserves great tools.

🏠 4,800 sq ft of Creative Space

Our Bushwick flagship is 4,800 sq ft of purpose-built creative space, designed from the ground up for photographers. Three dedicated studios, a gear vault, a client lounge, and a prop library — every inch of our space is built to inspire, support, and elevate your work. Because we believe that great work happens when you have the right environment.

🏆 20+ Awards

Over the past 12 years, we’ve won over 20 awards, from Clios to Webbys. But what these awards really represent is a decade of hard work, creative risk-taking, and a relentless pursuit of excellence. They’re the proof that our philosophy — that great work happens when you combine technical precision with creative instinct — isn’t just a tagline. It’s a way of life.

Where Light Meets Legacy