Where light, emotion, and precision collide—captured in every frame.
Step into a world where every photograph tells a story. At timbergroveview, we don’t just take pictures—we craft experiences. The scent of aged timber from our studio floors, the hum of Profoto D2s firing at 1/10,000th of a second, the warmth of a model’s breath fogging a Hasselblad lens on a winter shoot. This is where art meets precision. Our portfolio isn’t just a gallery; it’s proof of what happens when vision, craft, and relentless attention to detail come together. Scroll, filter, and lose yourself in the work that’s earned us a place in the pages of Vogue, the shelves of Apple Stores, and the walls of collectors worldwide.
Filter by category to see the work that speaks to you.
From e-commerce lookbooks to large-scale campaigns, these images drive sales, build brands, and stop scrolls. Shot for clients like Nike, Glossier, and local artisans who demand nothing less than perfection.
Raw, intimate, and unfiltered. These portraits capture the soul behind the face—whether it’s a CEO in a power suit or a musician in a dimly lit alley. Shot on Phase One XF IQ4, with lighting so precise it feels like a second skin.
Stories told in a single frame. These images have graced the pages of The New York Times Magazine, Wallpaper*, and Kinfolk. Each shot is a collaboration—between subject, stylist, and the natural light that spills through our 12-foot north-facing windows.
Love stories, family legacies, and quiet moments of joy. Shot on film and digital, these images are meant to be held, framed, and passed down. The kind of work that makes clients cry when they see the final proofs.
The art of making the inanimate feel alive. Product shots that make you reach for your wallet, food photography that makes your mouth water, and conceptual stills that linger in your mind. Shot with Broncolor Siros L and a macro lens so sharp it reveals the texture of a single grain of salt.
Pushing boundaries with long exposures, multiple exposures, and mixed media. These are the images that don’t fit into a box—because they’re meant to break them. Shot on everything from 8x10 large format to iPhone, just to see what happens.
A curated selection of our most impactful projects.
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A personal project that became a global conversation.
In the summer of 2026, we packed our gear and headed to Iceland with a single question: What does it feel like to be consumed by the very thing that sustains you? The result was The Weight of Water—a series of images that blend documentary realism with surrealist fantasy. Models submerged in glacial lakes, their breath visible in the frigid air. Hands emerging from ice like ancient relics. A woman wrapped in plastic, her body contorted like a drowning victim. Shot on a Nikon Z7 II with a mix of natural light and Profoto B10 strobes, the images are both haunting and beautiful. They've been exhibited at the Reykjavik Museum of Photography, published in National Geographic, and used as the cover for an Icelandic novel about climate change. This is the kind of work that reminds us why we do what we do—not just to create pretty pictures, but to make people feel something.
See the full series Book a conceptual shoot
A model submerged in the icy waters of Jökulsárlón Glacier Lagoon, her hair fanning out like seaweed. The water temperature was 34°F—she lasted 12 seconds before her lips turned blue. Shot at 1/2000th of a second to freeze the bubbles escaping her mouth, this image became the centerpiece of the series.
A woman wrapped in clear plastic, her body contorted as if trapped in a cocoon. Shot in a dimly lit studio with a single strobe, the image plays with the tension between vulnerability and protection. The plastic was sourced from a local fishery—each sheet still smelled of salt and fish.
A pair of hands emerging from a block of ice, fingers curled like ancient roots. The ice was harvested from a nearby glacier and shaped in our studio over three days. We used a macro lens to capture the cracks and air bubbles, making the ice look almost like glass.
Brands and publications that have put their trust in our lens.
The stories, challenges, and triumphs behind our favorite projects.
Apple's brief was simple: Show us what the iPhone 15 Pro can do in low light. No problem—except we had to do it in a jazz club at 2 AM, a candlelit kitchen, and a rooftop at dusk. No strobes, no reflectors, just the phone and our wits...
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When The New York Times called about a portrait series on gentrification in Bed-Stuy, we knew it had to be real. No studio shots, no artificial lighting—just the neighborhood and the people who call it home...
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Nike wanted a campaign that captured the energy of running—without motion blur. The solution? A custom-built treadmill set against a 20-foot cyclorama, 10 strobes firing at 1/8000th of a second, and a runner who could hold a sprint for 30 seconds straight...
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Glossier's mantra is skin first, makeup second—and they meant it. No retouching, no airbrushing, just real people with real skin. The challenge? Make a 20-year-old with acne and a 50-year-old with wrinkles both look like they belonged in the same campaign...
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When the Martinez family booked us for their engagement shoot, we had no idea it would turn into a two-year project. The engagement session was easy—golden hour in Prospect Park, a picnic blanket, and a bottle of wine...
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Cheese is tricky. Too much light, and it looks greasy. Too little, and it looks dull. For Murray's Cheese, we had to make a wheel of aged Gouda look as appetizing as a fresh mozzarella...
Read the full storyDon't take our word for it—hear it from the people who've worked with us.
Working with timbergroveview was like having a creative partner, not just a photographer. They didn't just take pictures—they understood our brand, our audience, and our goals. The campaign they shot for us resulted in a 340% increase in pre-orders, and we've been working with them ever since...
As a magazine, we've worked with hundreds of photographers—but timbergroveview stands out. Their ability to capture the soul of a story in a single frame is unmatched. For our gentrification series, they spent a week in Bed-Stuy, earning the trust of locals and delivering images that were both beautiful and raw...
We needed a campaign that captured the energy of running, and timbergroveview delivered. Their custom treadmill setup and high-speed strobes froze motion in a way we'd never seen before. The images were dynamic, powerful, and perfect for our global campaign...
As a private client, I was nervous about booking a big studio for our family photos—but timbergroveview made the process feel intimate and personal. They captured our love story over two years, from engagement to pregnancy, and the final album is something we'll cherish forever...
We challenged timbergroveview to shoot our entire campaign on iPhone—and they nailed it. The images were so good, we used one in our keynote presentation. Their ability to work with natural light and limited equipment is impressive, and their creative vision is unmatched...
For our New Guard of Fashion editorial, we needed a photographer who could make clothes feel alive without relying on movement. timbergroveview delivered. Their lighting was dramatic yet precise, their compositions were bold, and their ability to work with models was effortless...
Let's create something unforgettable together.
Every great photograph begins with a conversation. Whether you're a brand looking to launch a campaign, a magazine in need of editorial imagery, or a couple celebrating a milestone, we're here to bring your vision to life. Our studio is more than a space—it's a creative partner. With 2,500 sq. ft. of flexible shooting areas, top-tier gear, and a team that's obsessed with the details, we'll help you craft images that don't just look good—they mean something. Ready to start? Tell us about your project, and let's make magic.
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